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Grad Films


🎭 Bhamakalapam Selected for the Jagran Film Festival 2025! 🌟
We are delighted to announce that the graduation film Bhamakalapam, directed and written by Likhitha Krishna and created by the students of Annapurna College of Film and Media, has been officially selected for the Jagran Film Festival 2025, India’s largest travelling film festival dedicated to celebrating Good Cinema for Everyone.


🌊 Chayachitram Selected for the Jagran Film Festival 2025!
We are proud to share that the graduation film Chayachitram, made by the talented students of Annapurna College of Film and Media, has been officially selected for the Jagran Film Festival 2025 — India’s largest travelling film festival that celebrates “Good Cinema for Everyone.”


🌾 Under the Open Sky Selected for the Jagran Film Festival 2025!
We are proud to share that the graduation film Under the Open Sky, created by students of Annapurna College of Film and Media, has been officially selected for the Jagran Film Festival 2025, India’s largest travelling film festival.


Bhamakalapam
Bhamakalapam is a heartfelt coming-of-age tale that celebrates courage, tradition, and the power of reclaiming forgotten voices.
The story begins with Bhumi, a spirited young girl in a village, captivated by a Tholubommalata puppet show recounting the legendary tale of Narakasura. While the crowd hails Krishna as the hero, Bhumi is moved by the bravery of Satyabhama, Krishna’s wife, who also fought in the battle.


Ubaal
Ubaal is a slice-of-life drama soaked in nostalgia, gentle humour, and emotional undercurrents. It’s less about what happens and more about what lingers—in a mother’s off-hand comment, a father’s stubborn optimism, and a son’s silent observations.
Nishant, 22, returns to his small-town home after two years in the city. The dusty train station, familiar chai stalls, and the aroma of fresh samosas stir a wave of memories—comforting yet distant.


Swapna Vala
Swapna Vala is a psychological journey through grief, memory, and healing. It explores how reconnecting with one’s most vulnerable self is often the first step toward transformation and acceptance.
Adya, a 28-year-old woman, finds herself lost in a dreamlike forest after a traumatic car accident involving her parents. The film opens in darkness—with only the sounds of rain, the crash, and faint hospital monitors guiding us. When Adya regains consciousness, she is alone in
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